Music from around the world has come a long way from its indigent roots. Since the eighties, with the proliferation of a global culture, there has been an increased interest and appreciation for sounds outside the mainstream of Western culture. With pop stars like Paul Simon and Sting corroborating with third-world musicians, an appreciation has grown for indigenous styles.
These sounds consist of ethnic music of assorted geographical regions. Though certainly not of the same strain, they are categorized together because of their indigenous roots. Musicians from diverse cultures and locations can now access other styles, assimilate those of other cultures and create a mixed bag of influences.
Appearing first in small venues, these international artists now fill large venues playing to increasingly sophisticated audiences. From there, CDs make their way into the record collections of an avid Western population intent of cultural enrichment. What was once an ethnic sound has become familiar with exposure.
Tibetan chants, Japanese koto, Indian raga, Eastern European folk have all been imported for a Western audiences. Tribal harmonies from the Middle East, Asia, Central and South America are now becoming familiar. The Celtic harp reached world-wide popularity in the previous decade. Reggae, perhaps the most well-known infiltration, is thoroughly saturated into the mainstream.
This genre has become a hybrid of assimilated styles. We now see categories called World Fusion, Global Fusion, Ethnic Fusion and Club Beat that all have similarities but the various strains are fusing into separate idioms. And it is only just beginning. They crossover into new age, pop, ska, jazz, lounge and blues. Eastern European folk evolves into American country and western.
Today, West and North Africans offer a thriving musical scene and nowhere is it more prevalent than in Paris. France offers support through its many cultural institutions that promote diversity in the arts. Algerian and Moroccan sounds are widely presented in this European capital. Middle Eastern groups tour the United States and Canada. South American rhythms are thrilling audiences everywhere.
There are many web sites dedicated to this genre and one of the better ones, The World Music Network, can begin your musical appreciation voyage. On this site you will find out the latest styles causing excitement, be able to access an archive the best indigenous groups and purchase CDs or MP3s. You will find links to radio stations. With stunning photography, this is user-friendly, professional site.
If your sixties, seventies and eighties classic rock records are beginning to sound like, well broken records, leave your comfort zone and check out the exhilarating offerings from around the world. If you could use a new groove, find out what is happening in Peru, Ghana, North Africa, Bolivia, Brazil. Access to the global culture is definitely one of the perks of our ever expanding world.
These sounds consist of ethnic music of assorted geographical regions. Though certainly not of the same strain, they are categorized together because of their indigenous roots. Musicians from diverse cultures and locations can now access other styles, assimilate those of other cultures and create a mixed bag of influences.
Appearing first in small venues, these international artists now fill large venues playing to increasingly sophisticated audiences. From there, CDs make their way into the record collections of an avid Western population intent of cultural enrichment. What was once an ethnic sound has become familiar with exposure.
Tibetan chants, Japanese koto, Indian raga, Eastern European folk have all been imported for a Western audiences. Tribal harmonies from the Middle East, Asia, Central and South America are now becoming familiar. The Celtic harp reached world-wide popularity in the previous decade. Reggae, perhaps the most well-known infiltration, is thoroughly saturated into the mainstream.
This genre has become a hybrid of assimilated styles. We now see categories called World Fusion, Global Fusion, Ethnic Fusion and Club Beat that all have similarities but the various strains are fusing into separate idioms. And it is only just beginning. They crossover into new age, pop, ska, jazz, lounge and blues. Eastern European folk evolves into American country and western.
Today, West and North Africans offer a thriving musical scene and nowhere is it more prevalent than in Paris. France offers support through its many cultural institutions that promote diversity in the arts. Algerian and Moroccan sounds are widely presented in this European capital. Middle Eastern groups tour the United States and Canada. South American rhythms are thrilling audiences everywhere.
There are many web sites dedicated to this genre and one of the better ones, The World Music Network, can begin your musical appreciation voyage. On this site you will find out the latest styles causing excitement, be able to access an archive the best indigenous groups and purchase CDs or MP3s. You will find links to radio stations. With stunning photography, this is user-friendly, professional site.
If your sixties, seventies and eighties classic rock records are beginning to sound like, well broken records, leave your comfort zone and check out the exhilarating offerings from around the world. If you could use a new groove, find out what is happening in Peru, Ghana, North Africa, Bolivia, Brazil. Access to the global culture is definitely one of the perks of our ever expanding world.
About the Author:
Looking to find the definitive source of information on music from around the world?
No comments:
Post a Comment